We were there as the backing band (according to the compère, we were “Sarah Dunant and the Sacred Hearts”) to a semi-staged reading of Sacred Hearts by Sarah herself, Niamh Cusack, Deborah Findlay and a lovely young actress from Cork, Molly Lynch. The stress leading up to the event was, at times, unspeakable – but, rather like childbirth, although I can remember the fact of the pain, the pain itself has already mercifully been blocked out. Days of communication failure, email/text badgering and panic invested in trying to sort out the sound requirements were ultimately wasted, as the sound guy had never been given the microphone plot, had an incomplete equipment list and arrived over half an hour late. Mobile phones – or at least my wretched O2 iPhone – were useless on site; performers had to battle uncomprehending minions who had not been warned of their need for early check-in; and it is a tribute to the resilience of the singers and the ever-serene Claire Williams that the performance went on at all. There was competition from the first sunshine in 24 hours, rap, techno, township jazz and, bizarrely, another female-voice chorus (albeit one that sings U2 covers), but in the end the performance was greeted with whistles and cheers of approval from a packed-out tent.
Our yarnbombing campaign didn’t quite go to plan, either, as the torrential rain on Saturday made it impossible to find dry places to leave our small army of nano-nuns, who were carefully tagged to bring punters to the gig, promising a free download of our trance track. Still, the little sisters must have made someone happy. And we are taking commissions now…It’s still hard to tell whether our appearance will have rewards beyond being able to say we did it – CDs sold like a hotcake (miserable festival organization left our merchandise selling-point well hidden, while the Comedy merchandise and signings took place outside the Literature Tent… go figure). But it was a nice day out, and we made a few people smile. And it could have been the first performance of Palestrina by an all-female ensemble in jilbabs, rosaries and wellies.


Well it was great fun, and I'm glad I did it. I just hope you now have the chance to recover from it properly! Xx
Oh dear, I do sound a bit miserable, don't I? But it's actually hard to measure the magnitude of my dismayed disbelief when the sound guy finally showed up and didn't realise that we needed the choir mic'ed, and said we had to finish our sound check in fifteen mins. After all the toing and froing, emails, texts and phone calls on Tues and Weds, and all the vain promises made by his boss, the production manager (who, of course, never showed up on the day). It all set in on the journey home – don't think I stopped shaking until past Colchester.
It was good Laurie, and thank you so much to you (and to Deborah) for taking most of the organisation troubles and worries on your shoulders!
Love that photo-how fun it must be!
Ha ha!! Good luck with tagging that photo! (somehow I managed to escape it….I think it was the overwhelming need for a bacon and egg sarnie)
Could get to be a habit…
Although it was indeed very stressful, I think everyone sang amazingly and put on such a good show – in terms of reaching a wider audience, it couldn't be better. I really enjoyed it!
So did I, while we were doing it. But I also think I had way too much fun arsing around beforehand…