Archive for the ‘Musicology’ Category

Professional organisation

Tuesday, August 11th, 2009

In an attempt to make both my research leave and my website more productive, I’m trying out this WordPress plug-in that allows my blog to feed to Facebook. I know the blog will help me write, and Pete’s always after me to get stuck in with the website. And maybe, just maybe, it will help with discipline.

I have this other plan, too, to try and adapt the exercises from Ursula LeGuin’s Steering the Craft to my academic writing. Maybe this will be the place to put them, too. Just because it’s academic writing doesn’t mean it can’t be compelling narrative, eloquent and vibrant.

Well, we all have heroes and we all can dream.

Now to see if it works.

Well, let’s try again…

Tuesday, July 14th, 2009

It would have been far more interesting for me, and any passing reader, if I had been blogging throughout the last three months – did a recording, gone through another bereavement, launched the CD and heard us on the radio lots and lots.  But actually, there really was no time.  Really, there wasn’t. But the CD is out now, and available via links on the Musica Secreta website, and if it doesn’t set the cat among the pigeons, I’ll just have to get Chester, the family moggie, on the case.  Well, seeing as how he’s belly up on the floor here, waiting for attention as he always is, I might have to think further afield.

And then there was last weekend’s trip to Triora, the Italian Salem, when Deb, Mel (seasoned Musica Secreta debauchettes) and the lovely rookie Natasha sang for a conference on witches.  What music do witches like, you might ask?  Don’t know, don’t care.  We sang them Josquin, Palestrina, Rore, Agostini, Marenzio and Ingegneri.  And they seemed to enjoy it – though judging by the DVD they gave us, I can see why I’m a boffin-singer, and not a singer-boffin.  I look slightly scared, and you can hardly tell that I was having the time of my life singing all those bass parts on my own!

But it was all good, and now it’s over for a while.  I think.  Sacred Hearts the novel is out, Sacred Hearts Secret Music will sit along side it very soon, and we just have now to watch our babies in the marketplace.  Meanwhile, I have a book to write – a book that has been sitting in my head for seven years now.  So what am I doing today?  My accounts….

See, every musician has to do stuff that isn’t fun once in a while.

Pimp My Palestrina

Wednesday, April 22nd, 2009

I should be in bed – no, I really should, as it is after midnight and I’ve been burning the candle at both ends for well over 48 hours.  Sunday night went straight into Monday morning as I had forgotten that I had not completed all the short scores, so at 4am I was just shutting Sibelius down.  The rehearsal later that day was a wonderful experience – we had the new continuo team (Claire Williams and Kinga Gáborjáni joining Fanny Kelly) together for the first time, and also our other newcomer, mezzo Clare Wilkinson.  Deb and I were overwhelmed by the beauty of the noise.  Then this evening had another wonderful rehearsal with the choir.  So looking forward to Sunday when we rehearse the choir with the continuo – then straight into the recording on Monday.

I’d like to say I have no idea about how this disc will be received, but I’m afraid I know all too well.  Last time we had Know-nothing ClothEars saying in a national daily broadsheet that we performed the music without the bass line, even though there were three thumping great continuo instruments playing all the time.  This time it will be, “How very dare they!”  But you know what, I don’t care.

Palestrina’s music was made to be passionate, not sanitised.  The Lamentations are some of the most agonised, vivid and searing verses in the Old Testament, and virtually every recording I have ever heard sounds as if the choir have been fed bromide for six months.  Deb says Savonarola, and I agreed 100%.  She has also written ornaments for the Mass that are so sexy they ought to be singing in basques, and we will make Palestrina into something that channels the overwhelmingly sensual love of God admitted by the early modern religious, and smacks the Doubting Thomases right between their disbelieving ears.  So there.

Teatime

Saturday, April 18th, 2009

Up later than usual having had friends to tea, that exceptional type of old friend that doesn’t care if you haven’t begun cooking when they arrive, and that just muck in.  Which is just as well, as I was still editing short scores for the recording this afternoon at 6pm.  OK,  well, it probably wouldn’t have been such a rush if I hadn’t taken advantage of an otherwise empty house to do some harpsichord practice at around 5pm – having sent the Beloved down to the supermarket for the second time to pick up essential items.  In my experience, you have to grab your chances when they occur.

A quick heads up, then, for Sibelius 5, which is making the chore of producing short scores a whole lot easier than it used to be.  Still unpleasant and time-consuming, but the end product is so much better that is doesn’t seem such a futile exercise.

I am now facing a dilemma, or could soon be, given the state of my throat this evening.  Do I even care if a weekend spent daytripping on the Isle of Wight, and then depping all three services at Chichester Cathedral is going to wreck my voice for the recording?  Does it even matter, as all I will be doing is growling on Alto 2 parts?  Probably.  But frankly the prospect of grubbing about for dinosaur bits on the beach at Compton Point is so attractive that I might just risk it.

Never say never again

Thursday, April 16th, 2009

Well, after two years’ absence, the Beloved has convinced me to revitalise my blog, luring me in with promises that the new software will help me delete the 350-odd spam messages I was getting per day.  And in the end, blogging does hone the writing skills, and it will keep me away from Facebook and forums.  So I tell myself.

In the intervening years I have won awards, had major back surgery and done all sorts of exciting things, but oddly some things don’t change.  She’s So Fine still isn’t published, for instance.  Not for want of trying on my part, but I got into an argument with the editor – he’d say it was over content, I’d say it was over style AND content.  Dammit, I want the book to mean something, not chronicle some ghastly academic navel-gazing exercise.  Twaddle, I say, to the gravest excesses of cultural studies martinets.

Accepting my award in New York, Dec 09I noticed that I wrote in my blog many moons ago about how happy I was that my article on the Boswell Sisters had been accepted by The Journal of the Society for American Music.  Last September I had even nicer news, that the article had won an ASCAP Deems Taylor award.  I had to go to New York last December to accept the award at a spiffing ceremony – and combined the trip with one to make my kids officially American.  Having never been to NYC before, I don’t know who was the most child(ish)(like) – definitely a perk of the job. 

I also note that my last post prior to falling off the edge of the inter-world complained bitterly about promoters and their lack of enthusiasm for anything different.  Fallen, in the end, only had one more performance at the South Bank Early Music Weekend in 2007, but life has a way of leading on to wondrous new paths.  Because of Fallen, Musica Secreta and Celestial Sirens have been drawn into another nun-esque project, recording the ‘soundtrack’ to a new novel by Sarah Dunant, Sacred Hearts.  There will be performances, too.  Could be that I will be dragging out the old habits again, except that this time they will have to be black.  Well, you know what they say – old habits dye hard.

It’s good to be back.

It’s all about attitude

Saturday, February 17th, 2007

In (the five months) between the last two posts, I have been astonishingly busy with all sorts of musicological and non-musicological activity, which is, of course, why I have failed to post. It wasn’t that it was all boring, just very time-consuming. I’ve transcribed a whole book of madrigals, written two articles, finished transcribing a book of motets and completed an eye-bleedingly, mind-numbingly complicated touring grant application to the Arts Council. My Beloved Husband and I created a truly lovely website for Fallen to pull the promoters in to the tour. I’ve also started an anti-bullying campaign at my workplace and become an occasional pundit on Radio Solent reviewing the newspapers on the odd Saturday morning. Plans for the next few months include a trip to Austin to have a look at/listen to my friend Randall’s Connie Boswell collection, and to have a small Boswell jamboree at UT; recording Alessandro Grandi’s Motetti a cinque voci (1614) and the rest of the music from Fallen with Musica Secreta; a conference in Cork organised by the lovely Mel (for which I still have to write the paper) and a whole lot of digit and limb-crossing to ensure the success of the touring application. So that’s me.

But before I close this little update, I feel I have to mention the issue of attitude, specifically the attitude of arts promoters. In the course of putting together the application, I emailed and phoned literally dozens of promoters here in the UK, presenting to them the opportunity of putting on Fallen with financial assistance from the Arts Council. Not asking for commitment, mind, just an expression of interest that could go into the application. Some receptive, forward-thinking people got it straight away – that here was a way of drawing new audiences into the concert hall, and doing something utterly different than a stand-and-deliver concert with dry-as-dust programme notes and evening dress. And this wasn’t just for established venues with plenty of funding and regular audiences. Hooray for them! Sadly, though, others took the attitude that it would be “difficult” – oh, where would we get a choir, how could we sell it to our existing audience, yadda, yadda. All very valid concerns, I’m sure, but these are the same people who grumble about the dwindling audience for early music – an audience that is literally dying off because new people aren’t being attracted in. They will moan, but they won’t make the effort – and when artists such as us make the effort for them, they are too craven to change their ways. Humbug, I say!

But the one that beats all is the festival administrator that is too busy even to consider putting it to the programme committee. I speak to the local university, who say they would love for their students to get involved; both I and my co-director (who is also a festival director, so knows this person professionally of old) email acknowledging the university’s interest and offering the possibility of putting it on with a subsidy if they express enough interest to put it in the funding application. I’m fobbed off several phone calls, and then finally I get the message from a minion that the administrator ‘has my details, and will ring when s/he is ready’. Guess that’s a no, then.

From the back of beyond…

Thursday, February 15th, 2007

and it’s time to start blogging again. Seriously, I wondered if I’d ever get back in the habit, but a curious thing happened to me a few days ago, and my Beloved said, “You should put that in your blog.”

A very nice gentleman emailed me asking me to help him discover what strange instrument his great-grandfather had bought when serving in WWI France. He wrote his mother that he had bought a mandolin and a “xxx” – the gentleman scanned the letter for me and asked me if I could decipher the script. In the end, it was not an instrument, but a puppy. I laughed a lot, and then thought – so this is why I have a blog. People need musicologists.

Chant changes lives; or, you learn something new every day

Wednesday, September 13th, 2006

This morning at God’o'clock I walked downtown to do an interview on Radio Solent, about the Peru trek and APEC. I had to be there at 6.45, so set off around 10 past 6, iPod at the ready to get me in the mood for some swift walking. As usual, I needed something loud and funky to wake me up, so after considering the Foos (not funky enough) and Missy Elliot (not loud enough), on went the RHCP. Thanks, guys, for another job well done – I got to the studio in record time, nearly two miles in twenty minutes.

I will not be taking my iPod to the Andes as there is no point – nowhere to charge it, and I can’t be fussed with one of those little battery chargers. But not having music electrically supplied hasn’t been a problem during our weekend training hikes, simply because it’s going on in my head all the time. The only difference is that it tends to be one bit of music on a continuous loop (nearly wrote “continuous loup” just then – wonder what that would be like? Owwoooo…). A few weekends ago it was the Boswell Sisters’ “Between the Devil and the Deep Blue Sea” (someone else likes this one, too – click on http://katry.blogspot.com/2005/07/between-devil-and-deep-blue-sea.html). Last week it was the chant Regnum mundi et omnem ornatum saeculi contempsi from the profession rite for a Clarissan nun – one of the chants featured in Fallen.

Now, as I’ve said before I’ve never really been into chant: not my kind of thing, no no, just the boring bits you have to sit through before you get to the swingin’ polyphony. However, I have to say, since starting to research Fallen I’ve fallen in love with it, especially with singing it. I find myself humming little snatches of chant tunes as I’m filing in my office, or tidying the bathroom. It was great to sing it in ensemble when we had our first chorus rehearsal last week; incredibly calming, and grounding, and quietly energizing. Being a Quaker sympathiser, I guess strictly I’m not supposed to be into hymns and the like, but I’ve retained an affection for the good old tunes since my church-job days (excellent for giving it some welly when digging the garden – “HE who would valiant be, ‘GAINST all disaster”), and now I’m just going to have to admit chant into my pantheon of weaknesses. If nothing else, it helps make low-level housework more bearable.

Grouse season

Tuesday, September 12th, 2006

I suppose one of the good things about writing a blog is that you can have a proper grouse about something, and then you never have to grouse about it again because there it is in all its glory on the web. And you can use it as a place to work out your unpleasant fantasies of retribution. All done, sorted. I want to grouse about the AA, not because of lousy service or anything, but because of what they’ve done to “You’ve Got a Friend” in their current advertising campaign. I understand the theory: you have 30 seconds, or actually 28-29 because the whole thing has to fade to black, in which to get your message across, therefore the music has to be exactly that length. For many years I’ve watched my husband Pete edit his own tunes into 30- or 20-second versions, so I know how judicious trimming goes on. But what the music director has done on the AA ad is just irritating beyond belief, trimming crotchets (that’s quarter-notes to you) here, there and everywhere on the long notes and, well, just upsetting things. I suppose 95 percent of people don’t notice, 4.99 percent of people don’t mind or think it’s quite clever really, but I’m one of those that it maddens. It’s not that I think the song is sacred: I don’t. It’s just that because it is part of my history (we all liked James Taylor when we were callow youths busking in the Hyde Park underpasses because his songs paid well) and when I hear it I have expectations, and those are thwarted every time the wretched ad comes on. And then because I’m a saddo musicologist it bugs me until I work out how it’s done, and instead of doing Important Things I’m sat there on the sofa tapping my leg and humming to work out where the 3/4 bars are. The nightmare scenario is next time I’m up in town, I’ll go into an underpass and there will be a busker, doing it like it’s on the telly, at which point I will lose the will to live. So then I’ll have to buy Mud Slide Slim and the Blue Horizon from iTunes and have it handy to prove to the busker that the telly sometimes lies, forcing him to listen all the way through before I beat him to a pulp and break his guitar. Grr. OK – had my moan, and it’s well and truly blogged. The buskers of London can sleep easy again.

3/10 – could do better

Sunday, September 10th, 2006

Well, I see it’s been weeks since I posted anything in my blog. Hardly a sterling effort. Well, I’ve been busy. Really busy, and I know it’s not an excuse, but there you go.

What I want to know is, how many completely different activities can one keep up with before just going into overload? Son 2 has come up with a brilliant expression that says it all. In response to his father asking him to do something, at the end of a long and stressful day, he just looked up balefully and said, “My shop is closed, Daddy.” I know how he feels.

Thinking about what I’ve had to cope with over the last month – major projects a-gogo, and only summer-time childcare (so five hours a day if I’m lucky) – it’s hardly surprising that I’ve had to resort to relaxation tapes just to get to sleep. I know I’m my own worst enemy, but I’ve had to juggle Fallen, training for my charity trek, organizing the induction of all the new first-year intake at work, and submitting the manuscript of She’s So Fine. So one minute I’m trying to get 18 habits cut out of the vile cloth with increasingly blunt scissors, the next I’m pounding up and down the South Downs Way, followed by frantically rescheduling events because the campus policeman wants a 27-minute DVD to be shown in a 20-minute slot in front of the new students, and all the while carting the Chicago Manual of Style under my arm. And even writing this is displacement activity, because really I should be writing the instruction manual for the house and boys so that my mum (who’s babysitting when Pete and I are in Peru) will know where the spare lightbulbs are, who to phone if the dryer breaks down for the third time this week, and what to do if somebody comes home from school with nits. Who ever said being a musicologist and a person, at the same time, was easy?

And then, there’s all the stuff that comes along that is oh-so-interesting-and-don’t-I-want-to-spend-all-day-thinking-about-it. I note that one huge event I didn’t write about was taking Son 1 to see the Red Hot Chili Peppers at Earls Court in July. What a trip – we’ve seen them before (Hyde Park 2004), and I’m not sure which was the better gig, but still it was fab. AND Patti Smith showed up for a jam, which was truly wonderful and good for the soul. But ever since I’ve been thinking deeply about the gig and the album, and how they seem to be working their way through the 60s (having done girl groups, now they are on to Simon & Garfunkel and Crosby, Stills, Nash and Young), and wouldn’t it be great to write an article on that. And then there’s all the archival work in Ferrara that I’d love to do to find out more about my Renaissance nuns. Not to mention girl culture and Star Wars. So much academic rant, so little time. My shop is closed.

It will be good to get to the Andes – we leave on Thursday – and be unable to do anything. Five days during which I don’t have to see anything that plugs in, do any washing or answer any telephones – all I have to do is put one foot in front of the other. Not so much blisters as bliss.