Archive for the ‘Musica Secreta’ Category

Well, let’s try again…

Tuesday, July 14th, 2009

It would have been far more interesting for me, and any passing reader, if I had been blogging throughout the last three months – did a recording, gone through another bereavement, launched the CD and heard us on the radio lots and lots.  But actually, there really was no time.  Really, there wasn’t. But the CD is out now, and available via links on the Musica Secreta website, and if it doesn’t set the cat among the pigeons, I’ll just have to get Chester, the family moggie, on the case.  Well, seeing as how he’s belly up on the floor here, waiting for attention as he always is, I might have to think further afield.

And then there was last weekend’s trip to Triora, the Italian Salem, when Deb, Mel (seasoned Musica Secreta debauchettes) and the lovely rookie Natasha sang for a conference on witches.  What music do witches like, you might ask?  Don’t know, don’t care.  We sang them Josquin, Palestrina, Rore, Agostini, Marenzio and Ingegneri.  And they seemed to enjoy it – though judging by the DVD they gave us, I can see why I’m a boffin-singer, and not a singer-boffin.  I look slightly scared, and you can hardly tell that I was having the time of my life singing all those bass parts on my own!

But it was all good, and now it’s over for a while.  I think.  Sacred Hearts the novel is out, Sacred Hearts Secret Music will sit along side it very soon, and we just have now to watch our babies in the marketplace.  Meanwhile, I have a book to write – a book that has been sitting in my head for seven years now.  So what am I doing today?  My accounts….

See, every musician has to do stuff that isn’t fun once in a while.

Pimp My Palestrina

Wednesday, April 22nd, 2009

I should be in bed – no, I really should, as it is after midnight and I’ve been burning the candle at both ends for well over 48 hours.  Sunday night went straight into Monday morning as I had forgotten that I had not completed all the short scores, so at 4am I was just shutting Sibelius down.  The rehearsal later that day was a wonderful experience – we had the new continuo team (Claire Williams and Kinga Gáborjáni joining Fanny Kelly) together for the first time, and also our other newcomer, mezzo Clare Wilkinson.  Deb and I were overwhelmed by the beauty of the noise.  Then this evening had another wonderful rehearsal with the choir.  So looking forward to Sunday when we rehearse the choir with the continuo – then straight into the recording on Monday.

I’d like to say I have no idea about how this disc will be received, but I’m afraid I know all too well.  Last time we had Know-nothing ClothEars saying in a national daily broadsheet that we performed the music without the bass line, even though there were three thumping great continuo instruments playing all the time.  This time it will be, “How very dare they!”  But you know what, I don’t care.

Palestrina’s music was made to be passionate, not sanitised.  The Lamentations are some of the most agonised, vivid and searing verses in the Old Testament, and virtually every recording I have ever heard sounds as if the choir have been fed bromide for six months.  Deb says Savonarola, and I agreed 100%.  She has also written ornaments for the Mass that are so sexy they ought to be singing in basques, and we will make Palestrina into something that channels the overwhelmingly sensual love of God admitted by the early modern religious, and smacks the Doubting Thomases right between their disbelieving ears.  So there.

Teatime

Saturday, April 18th, 2009

Up later than usual having had friends to tea, that exceptional type of old friend that doesn’t care if you haven’t begun cooking when they arrive, and that just muck in.  Which is just as well, as I was still editing short scores for the recording this afternoon at 6pm.  OK,  well, it probably wouldn’t have been such a rush if I hadn’t taken advantage of an otherwise empty house to do some harpsichord practice at around 5pm – having sent the Beloved down to the supermarket for the second time to pick up essential items.  In my experience, you have to grab your chances when they occur.

A quick heads up, then, for Sibelius 5, which is making the chore of producing short scores a whole lot easier than it used to be.  Still unpleasant and time-consuming, but the end product is so much better that is doesn’t seem such a futile exercise.

I am now facing a dilemma, or could soon be, given the state of my throat this evening.  Do I even care if a weekend spent daytripping on the Isle of Wight, and then depping all three services at Chichester Cathedral is going to wreck my voice for the recording?  Does it even matter, as all I will be doing is growling on Alto 2 parts?  Probably.  But frankly the prospect of grubbing about for dinosaur bits on the beach at Compton Point is so attractive that I might just risk it.

Never say never again

Thursday, April 16th, 2009

Well, after two years’ absence, the Beloved has convinced me to revitalise my blog, luring me in with promises that the new software will help me delete the 350-odd spam messages I was getting per day.  And in the end, blogging does hone the writing skills, and it will keep me away from Facebook and forums.  So I tell myself.

In the intervening years I have won awards, had major back surgery and done all sorts of exciting things, but oddly some things don’t change.  She’s So Fine still isn’t published, for instance.  Not for want of trying on my part, but I got into an argument with the editor – he’d say it was over content, I’d say it was over style AND content.  Dammit, I want the book to mean something, not chronicle some ghastly academic navel-gazing exercise.  Twaddle, I say, to the gravest excesses of cultural studies martinets.

Accepting my award in New York, Dec 09I noticed that I wrote in my blog many moons ago about how happy I was that my article on the Boswell Sisters had been accepted by The Journal of the Society for American Music.  Last September I had even nicer news, that the article had won an ASCAP Deems Taylor award.  I had to go to New York last December to accept the award at a spiffing ceremony – and combined the trip with one to make my kids officially American.  Having never been to NYC before, I don’t know who was the most child(ish)(like) – definitely a perk of the job. 

I also note that my last post prior to falling off the edge of the inter-world complained bitterly about promoters and their lack of enthusiasm for anything different.  Fallen, in the end, only had one more performance at the South Bank Early Music Weekend in 2007, but life has a way of leading on to wondrous new paths.  Because of Fallen, Musica Secreta and Celestial Sirens have been drawn into another nun-esque project, recording the ’soundtrack’ to a new novel by Sarah Dunant, Sacred Hearts.  There will be performances, too.  Could be that I will be dragging out the old habits again, except that this time they will have to be black.  Well, you know what they say – old habits dye hard.

It’s good to be back.

It’s all about attitude

Saturday, February 17th, 2007

In (the five months) between the last two posts, I have been astonishingly busy with all sorts of musicological and non-musicological activity, which is, of course, why I have failed to post. It wasn’t that it was all boring, just very time-consuming. I’ve transcribed a whole book of madrigals, written two articles, finished transcribing a book of motets and completed an eye-bleedingly, mind-numbingly complicated touring grant application to the Arts Council. My Beloved Husband and I created a truly lovely website for Fallen to pull the promoters in to the tour. I’ve also started an anti-bullying campaign at my workplace and become an occasional pundit on Radio Solent reviewing the newspapers on the odd Saturday morning. Plans for the next few months include a trip to Austin to have a look at/listen to my friend Randall’s Connie Boswell collection, and to have a small Boswell jamboree at UT; recording Alessandro Grandi’s Motetti a cinque voci (1614) and the rest of the music from Fallen with Musica Secreta; a conference in Cork organised by the lovely Mel (for which I still have to write the paper) and a whole lot of digit and limb-crossing to ensure the success of the touring application. So that’s me.

But before I close this little update, I feel I have to mention the issue of attitude, specifically the attitude of arts promoters. In the course of putting together the application, I emailed and phoned literally dozens of promoters here in the UK, presenting to them the opportunity of putting on Fallen with financial assistance from the Arts Council. Not asking for commitment, mind, just an expression of interest that could go into the application. Some receptive, forward-thinking people got it straight away – that here was a way of drawing new audiences into the concert hall, and doing something utterly different than a stand-and-deliver concert with dry-as-dust programme notes and evening dress. And this wasn’t just for established venues with plenty of funding and regular audiences. Hooray for them! Sadly, though, others took the attitude that it would be “difficult” – oh, where would we get a choir, how could we sell it to our existing audience, yadda, yadda. All very valid concerns, I’m sure, but these are the same people who grumble about the dwindling audience for early music – an audience that is literally dying off because new people aren’t being attracted in. They will moan, but they won’t make the effort – and when artists such as us make the effort for them, they are too craven to change their ways. Humbug, I say!

But the one that beats all is the festival administrator that is too busy even to consider putting it to the programme committee. I speak to the local university, who say they would love for their students to get involved; both I and my co-director (who is also a festival director, so knows this person professionally of old) email acknowledging the university’s interest and offering the possibility of putting it on with a subsidy if they express enough interest to put it in the funding application. I’m fobbed off several phone calls, and then finally I get the message from a minion that the administrator ‘has my details, and will ring when s/he is ready’. Guess that’s a no, then.

All over, bar the shouting…

Sunday, October 15th, 2006

Well, it’s done. Again, for the last few weeks I have found myself a combination of too busy and at a loss for words to even think about posting. But last night was the premiere of Fallen, and twenty-four hours later I feel enough at liberty to begin posting again.

This has, without a doubt, been the busiest month of my life. First Peru, then the induction of the 2006 intake at work, then Fallen. It’s enough to make a grown woman cry, and that’s what I’ve been doing, on and off, since about 9pm last night. I began to weep before the end of the last music cue (do understand that the band weren’t wholly visible behind the scrim), more from relief and gratitude than anything else, then burst into tears as soon as we got backstage. And I have been on the verge ever since, with stupid things setting me off – Barber’s Adagio on Radio 4’s Desert Island Discs this morning didn’t help at all!! But that was after I had dropped off the incomparable Mel at the airport, which was cause for tears enough. I blame the hormones, myself.

In truth, it went as well as I could have hoped for, and far better than I expected. There were a few sound hiccups, which was a shame, but from my point of view as MD, pretty damned good for a first run through (at the dress rehearsal, we didn’t even make it to the end, so on the night we were doing the close of the show for the first time). It could have been more precise in terms of synching with the film, and the band and choir were commendable for reading my mind, rather than my down beat, but we got from one end to the other in tune, together, and with feeling. All in all, a job well done. We had to change the veils at the last minute – too much faffing around at the dress rehearsal. I had tried to make them look like Sofonisba Anguissola’s portrait of her sister, with a little starched peak at the centre, but in the end we went all Nativity-Play-cum-Life-of-Brian and stretched them over our foreheads, pinned at the back.

After it was all over, we celebrated with a glass of wine and a slice of the Ferrarese delicacy, pampepato. This is a rich chocolate fruitcake, coated with a thick layer of dark chocolate, originally devised by the nuns at Corpus Domini. I iced four of them on Friday morning before the dress rehearsal, having laid them out on cooling racks with sheets of paper towel underneath to catch the drips of chocolate. Mel and I seriously considered staying at home and sucking the paper towels instead of driving two hours to Brighton and being professional performer-musicologists….

So, now I’m totally wiped out – my shop is not so much closed as raised to the ground. Today I was treated to coffee in bed (having laid there lazily, listening to Pete downstairs, labouring away at the ancient coffee grinder clamped to the kitchen table). However, as he presented me with said coffee, Son 2 barrelled into the bedroom behind him, and sent the coffee all over himself, the pillows and the rather too expensive chinese rug. C’est la guerre. So instead of a lie-in, I’m treating scalds and carpet stains before 9am on a Sunday morning. But all was forgotten as we had lunch at a beautiful little New Forest pub, the Royal Oak at Fritham, before a long walk in the unseasonal sunshine through a wood that Son 2 insisted was Endor. We fended off arrest by several Imperial platoons, identified mushrooms eaten by Ewoks, and hid in the undergrowth from Imperial spies before safely making it back to our starship. Fantastic – at last, after what seems like eternity, I could just breathe the air and marvel at how many different kinds of moss one can spot standing still in the forest. I know that the rest of my life will start again tomorrow, but I’m in no hurry.

Pete has just told me that I should take tomorrow morning off, and just blob around the house. OK, I said, but maybe I’ll tidy my office, too. No, no, said he, just rest, otherwise we all will suffer. !. Then he said that the only way he could get me to relax was to make me feel guilty if I didn’t. Oh, right. So now he’s a psychologist.

Are the guns loaded?

Saturday, September 30th, 2006

The other evening, I was making dinner and listening to Rainer Hirsch’s programme on Radio 4 about Spike Jones, the wholly inimitable musical comedian. His son was talking about the huge undertaking that was Spike’s live show, which involved boxcars-full of props and stage gear, microphones, lights and (of course) a sizeable orchestra. Apparently the rider in the contract specified that the only equipment the promoter need supply on stage was a bathtub and a chair. Spike Jr was heard saying (or words to the effect),”Oh, yes, it was very complex. We had to make sure the audio was right, the visuals were right, the guns had to be loaded…”

Last night we had the tech rehearsal for Fallen, and for the first time we got an inkling of what it’s going to be like on the night. The scrim, painted in a pale blue cloudscape, is at least 20 feet high, and as wide; when the film is projected on to it, the images just seem to be floating in the church. When we work out how to get the DVD controls off the projected image, we’ll be in business. Also, I have to get down to the secondhand bookshop today and buy a cartload of old leather-bound books that can substitute for breviaries.

The habits were a little difficult – not only had I not provided long enough bits of rope to go round the collective bulk of waists and the vast acres of vile cloth, but the buknuks and the veils are heavy and slippery. Need to think of a solution PDQ, lest we all look like comedy nuns. And we just have to get used to singing in the headgear – having all that cloth over the ears plays havoc with blend and volume, let alone time-keeping. I’m still finding conducting with one hand and playing figured bass with the other challenging, but that’s because I’m inescapably left-handed, and it’s damned awkward to play bass lines with the right hand, conduct with the left, and still manage to face the choir. When I was at the National Theatre years ago, I had this completely sussed, but I do remember I had to practice and practice – and I never had to wear a habit.

I suppose I could always keep a starting pistol up my sleeve.

Chant changes lives; or, you learn something new every day

Wednesday, September 13th, 2006

This morning at God’o'clock I walked downtown to do an interview on Radio Solent, about the Peru trek and APEC. I had to be there at 6.45, so set off around 10 past 6, iPod at the ready to get me in the mood for some swift walking. As usual, I needed something loud and funky to wake me up, so after considering the Foos (not funky enough) and Missy Elliot (not loud enough), on went the RHCP. Thanks, guys, for another job well done – I got to the studio in record time, nearly two miles in twenty minutes.

I will not be taking my iPod to the Andes as there is no point – nowhere to charge it, and I can’t be fussed with one of those little battery chargers. But not having music electrically supplied hasn’t been a problem during our weekend training hikes, simply because it’s going on in my head all the time. The only difference is that it tends to be one bit of music on a continuous loop (nearly wrote “continuous loup” just then – wonder what that would be like? Owwoooo…). A few weekends ago it was the Boswell Sisters’ “Between the Devil and the Deep Blue Sea” (someone else likes this one, too – click on http://katry.blogspot.com/2005/07/between-devil-and-deep-blue-sea.html). Last week it was the chant Regnum mundi et omnem ornatum saeculi contempsi from the profession rite for a Clarissan nun – one of the chants featured in Fallen.

Now, as I’ve said before I’ve never really been into chant: not my kind of thing, no no, just the boring bits you have to sit through before you get to the swingin’ polyphony. However, I have to say, since starting to research Fallen I’ve fallen in love with it, especially with singing it. I find myself humming little snatches of chant tunes as I’m filing in my office, or tidying the bathroom. It was great to sing it in ensemble when we had our first chorus rehearsal last week; incredibly calming, and grounding, and quietly energizing. Being a Quaker sympathiser, I guess strictly I’m not supposed to be into hymns and the like, but I’ve retained an affection for the good old tunes since my church-job days (excellent for giving it some welly when digging the garden – “HE who would valiant be, ‘GAINST all disaster”), and now I’m just going to have to admit chant into my pantheon of weaknesses. If nothing else, it helps make low-level housework more bearable.

3/10 – could do better

Sunday, September 10th, 2006

Well, I see it’s been weeks since I posted anything in my blog. Hardly a sterling effort. Well, I’ve been busy. Really busy, and I know it’s not an excuse, but there you go.

What I want to know is, how many completely different activities can one keep up with before just going into overload? Son 2 has come up with a brilliant expression that says it all. In response to his father asking him to do something, at the end of a long and stressful day, he just looked up balefully and said, “My shop is closed, Daddy.” I know how he feels.

Thinking about what I’ve had to cope with over the last month – major projects a-gogo, and only summer-time childcare (so five hours a day if I’m lucky) – it’s hardly surprising that I’ve had to resort to relaxation tapes just to get to sleep. I know I’m my own worst enemy, but I’ve had to juggle Fallen, training for my charity trek, organizing the induction of all the new first-year intake at work, and submitting the manuscript of She’s So Fine. So one minute I’m trying to get 18 habits cut out of the vile cloth with increasingly blunt scissors, the next I’m pounding up and down the South Downs Way, followed by frantically rescheduling events because the campus policeman wants a 27-minute DVD to be shown in a 20-minute slot in front of the new students, and all the while carting the Chicago Manual of Style under my arm. And even writing this is displacement activity, because really I should be writing the instruction manual for the house and boys so that my mum (who’s babysitting when Pete and I are in Peru) will know where the spare lightbulbs are, who to phone if the dryer breaks down for the third time this week, and what to do if somebody comes home from school with nits. Who ever said being a musicologist and a person, at the same time, was easy?

And then, there’s all the stuff that comes along that is oh-so-interesting-and-don’t-I-want-to-spend-all-day-thinking-about-it. I note that one huge event I didn’t write about was taking Son 1 to see the Red Hot Chili Peppers at Earls Court in July. What a trip – we’ve seen them before (Hyde Park 2004), and I’m not sure which was the better gig, but still it was fab. AND Patti Smith showed up for a jam, which was truly wonderful and good for the soul. But ever since I’ve been thinking deeply about the gig and the album, and how they seem to be working their way through the 60s (having done girl groups, now they are on to Simon & Garfunkel and Crosby, Stills, Nash and Young), and wouldn’t it be great to write an article on that. And then there’s all the archival work in Ferrara that I’d love to do to find out more about my Renaissance nuns. Not to mention girl culture and Star Wars. So much academic rant, so little time. My shop is closed.

It will be good to get to the Andes – we leave on Thursday – and be unable to do anything. Five days during which I don’t have to see anything that plugs in, do any washing or answer any telephones – all I have to do is put one foot in front of the other. Not so much blisters as bliss.

The woman who lost her identity

Thursday, July 20th, 2006

I’ve lost a veil. Lord knows how, between Bethnal Green and Southampton Camilla’s veil has gone missing. But it’s been one of those days. I get another letter from the bank, telling me that the documents I sent weren’t adequate to prove my identity, and after a very long, trying conversation with the nice but not overly helpful string of representatives at the bank, I establish that my credit score wasn’t sufficiently high enough. Excuse me? They require me to send in a certified copy of my passport or my driver’s license. After pointing out a few anomalies on the sheet of instructions I was originally sent, I establish that actually it’s not up to the bank, it’s something to do with the credit agency. So I get the number of the credit agency, and call them, all set to vent my spleen. I get a recorded menu, no option of which will allow me to speak to someone real. I find their website, and choose to view my record online. I fill out all the little boxes, then fill them out again (your password needs to be between 6 and 8 characters; we do not recognise that address; please re-enter your password) and again, only to be told that they cannot verify me at my address, so I need to send in – you guessed – a copy of my passport and my driver’s license, plus two recent utility bills (not mobile phone) or bank statement. I find another number, I ring again. This time I’m told by the equally cool but not very helpful lackey that they cannot verify me at my address – despite having access to all my bank details and the electoral register.
- So someone else is using my identity from another address?
- I’m sorry, madam, we can’t tell you why we can’t verify you at your address, that’s why we want the identification.
- But I’m very concerned about this.
- I’m sorry, but I can’t alleviate that concern.
- So if I send you the documents, you will tell me what’s happening?
- We cannot tell you why we cannot verify you at your address. Once we have verified you at your address, then we will let you know that the matter has been resolved.
- But will you tell me why you could not verify me at this address?
- If we told you that, madam, then there would be no point in our security procedures [in other words, "If we told you, we'd have to kill you."]
Nearly bent double with frustration, I say goodbye. Politely. Then scream at the top of my lungs, for a very long time.